Comic Review: Absolute Batman #3 – Best Batman so far

 

After a slight dip in quality in the previous issue, Absolute Batman #3 comes back swinging, reminding us why this series can move, surprise, and—most importantly—captivate us. Scott Snyder, supported by the phenomenal artwork of Nic Dragotta and the spectacular colors of Dave Martin, delivers the most cohesive and emotionally engaging installment of this new interpretation of the Dark Knight.

New Gotham, Familiar Emotions

This time we get more of what this series does best—emotion, character dynamics, and moral ambiguity. Bruce and Selina finally get the spotlight they deserve. Their relationship develops in a fascinating way, reminiscent of the Gotham TV series, with a focus on youth, loneliness, and the first innocent bonds. Their rooftop scene, followed by watching Zorro together (with Martha in the background!) is not only charming but also meaningful—it fits perfectly into the themes of legacy and childhood that run throughout the series.

Alfred, the Batmobile, and a Dump Truck with a Cannon – It's All About Style

Alfred and Bruce’s relationship is another highlight. It’s portrayed with tenderness and humor, but also a certain harshness that makes it feel authentic. Alfred isn’t afraid to speak the truth to Bruce—even when it hurts. This is especially evident at the end of the issue, when Bruce decides to accept money from Roman (Black Mask), a move that creates moral dissonance. Batman, compromising his ethics? It’s a different universe, sure—but it challenges the consistency of the character’s core principles.

The design and visual style also deserve praise. The new Batmobile—or rather, a Bat-dump truck with a cannon, an ejection seat system, and the ability to submerge—is pure eye candy. The fact that Bruce builds it all himself gives this version of the character a strong sense of independence. Even Bond would be jealous.

Red, Orange, and Dragotta’s Brilliance

Dragotta is at his best here—the action panels are dynamic, detailed, and full of motion. The opening rooftop chase pulses with energy, and Martin’s colors—especially the dominant reds and oranges—give everything a distinctive atmosphere. Gotham has never looked this alive and simultaneously this menacing.

A Battle for the Soul of the City—and Bruce’s

The issue does slow down in the middle—the scene with Ed may feel tedious, but it plays an important narrative role. This is where the groundwork is laid for Harvey’s later meeting with Roman. And that’s when things really get interesting. Harvey, who previously supported Gordon without hesitation, suddenly changes his mind and sides with Hill? It reeks of psychological manipulation, and if Black Mask is truly behind it, his role is shaping up to be one of the most intriguing villains in this version of the universe.

Roman—seemingly helpful, even persuasive at times—suddenly and coldly murders a wrestler. The surprise brutality works perfectly here. He’s an opponent you can’t read, which makes him all the more unsettling.

Martha Wayne Lives—and Shines

We can’t ignore Martha either. Snyder portrays her as strong, compassionate, and involved—not just a mother, but an active citizen of Gotham. Her partnership with Jim Gordon as deputy mayor is an intriguing plot development that could have major implications down the line. The fact that she survived the shooting that defined Bruce is a brilliant twist on a classic motif. As a result, this version of Batman is driven by different motives—less darkness, more systemic change than revenge.

Ark M, Black Mask, and a Touch of Dramatic Irony

The Ark M project, which previously felt a bit forced, is developed much more meaningfully in this issue. Bruce’s internal conflict—whether to follow his principles or work with someone he despises—gains more depth. This kind of Batman—torn but determined—is what makes the story so compelling.

There’s also some dramatic irony in Bruce’s reflection on what Batman could achieve if he had more money. This, despite the fact that he already drives an armored vehicle with a launcher—hardly short on resources. And yet, that sense of scarcity makes his fight feel more grounded, more real.

Pros:

+ Fantastic visual design – Dragotta and Martin are in top form.

+ Realistic, emotionally rich character relationships – especially Bruce & Selina, and Bruce & Alfred.

+ Creative gear and vehicle design – the Batmobile is the cherry on top.

+ Fascinating psychological development for Bruce – moral dilemmas, systemic struggle, idealism.

+ Black Mask becomes an increasingly compelling and terrifying villain.

+ Martha Wayne – alive, active, and excellently written.

Cons:

-The issue slows down in the middle – Ed’s scenes are too drawn-out.

- Bruce’s decision to accept Roman’s money could be controversial – it strays from the “essence” of Batman.

- Instead of continuing the cliffhanger – the next issue will be an origin story, which may disappoint some readers.

My Score: 8.5/10

Absolute Batman #3 proves that Snyder and his team know exactly what they’re doing. With strong narrative choices, spectacular visuals, and full-blooded characters, this is shaping up to be one of the most interesting takes on the Dark Knight in recent memory. If the next issues maintain this level of quality—we may be witnessing a true modern classic in the making for DC.